Visiting 2019 Aga Khan Award Laureates

When the winners of the prestigious Aga Khan Award for Architecture are announced every three years, the architecture celebrated is arguably the best, most important work found around the world. While the 2022 cycle announcements are imminent, looking back at the six project laureates from 2019 proves to be a fruitful review.

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Revitalization of Muharraq, The Pearling Path

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Preservation work within the Pearling Path Visitors Center by Valerio Olgiati Architect. Image © Andrew Mitchell

Beginning in Muharraq, Bahrain, architectural works defined by excellence are strung together by wayfinding lamps and pocket parks creating the Pearling Path through the old city. The story of the project is well documented: decaying priceless history on the verge of demolition miraculously saved by vision and careful persistence. Clean contemporary architecture interventions contrast with distinction amongst impeccable, priceless historic preservation works that celebrate a pearling culture at the heart of Bahraini heritage. Today, Muharraq’s center stands out as one of the few surviving examples in the Persian Gulf region of an urban fabric laid out prior to automobile culture. What’s missing from the story, and surprising to see with a visit, is a sense of the sheer scale of both completed and continued work.

The work is far from over. While the scale essentially spans an entire city, the distinction between public and private efforts is beginning to blur signaling the best of successful urban design interventions. Indeed, it is difficult to separate the pocket parks from the taste of a crispy samosa off the street or the faithful echoes of myriad calls to prayer clamoring through the alleys. Alleys that would be entirely unwelcoming, except for well-placed lampposts: the simple genius of vast architectural effort.

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Lamp posts along the Pearling Path by Bureau Bas Smets and Office Kersten Geers David Van Severen. Image © Andrew Mitchell

Wasit Wetland Center - Sharjah, United Arab Emirates

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Bird Viewing Hides placed strategically around the lagoon by X-Architects. Image © Andrew Mitchell

Heading south to Sharjah, the Wasit Wetland Center is a champion of ecological beauty, the wetland’s relevance heightened by the neighboring skyline of Dubai’s mega glass towers. The wetland used to be a trash dump and is now a destination haven for birds and locals alike. The architecture designed by X-Architects gently disappears descending below grade, in the main gallery, the youngest of visitors find themselves at eye level with fantastical birds. Tent-like aviaries are full of vulnerable or threatened birds thriving within the delicate protection of captivity. Encouragingly, wild birds of the same rare species take refuge in the surrounding foliage just outside the aviary nets, likely drawn by the songs of their captive friends of a feather.

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Bird Viewing Hides placed strategically around the lagoon by X-Architects. Image © Andrew Mitchell

The architecture is difficult to pay attention to, the natural environment takes center stage as it should. Early exterior photos of the project are no longer recognizable as the trees and plants have taken root creating a magical paradise full of birds in the desert. A herd of Arabian Sand Gazelle, of which only 3,000 are thought to be surviving in the wild, now calls Wasit home as well. While irrigation assists with establishing plants the main source of water is entirely natural. Water travels under the desert nearly 100km from the Hajar Mountains near Oman before bubbling up through the ground in the Wasit Wetland and flowing to the Persian Gulf.

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A herd of Arabian Sand Gazelle with the Visitors Center hidden by trees behind. Image © Andrew Mitchell
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Gallery along the bird sanctuaries in the Visitors Center. Image © Andrew Mitchell

Alioune Diop University Teaching and Research Unit - Bambey, Senegal

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Southern Facing Breeze Blocks and Steel Bracing by IDOM, Spain. Image © Andrew Mitchell

Part of a larger plan to decentralize higher education from stressful congestion found in the capital of Dakar, the extension of the Alioune Diop University in Bambey nurtures a student body in a rural context with the stature expected of higher education institutions. The imposing steel building is a surprise in the context of a harsh agrarian landscape.

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Southern Facing Breeze Blocks and Steel Bracing by IDOM, Spain. Image © Andrew Mitchell

Architect Javier Perez Uribarri from IDOM Spain explains the design process approached the building as a machine, specifically: a massive passive air conditioner. An outer facade featuring handmade triangular breeze blocks coupled with a double roof creates a chimney effect. The inner living spaces are fully protected from direct sunlight and the resulting temperatures are quite comfortable. Additionally, a major part of the work was a water collection and sewage treatment system supporting an unusually diverse landscape. The building is practically designed to live off-grid.

The success of the project can be seen in the lives of the students. Whereas Dakar is an intense world far removed, the way of life found in Bambey and surrounding areas flourishes. Students pause for prayers, eat together and live a life full of intangibles that are difficult to describe and beautiful to behold.

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Breeze blocks with ivy growth built by local craftsman. Image © Andrew Mitchell

The Palestinian Museum - Birzeit, Palestine

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Western facing facade overlooking the terrace gardens | Hairy Thorn Broom, Calicotome villosa. Image © Andrew Mitchell

The terraced gardens crisscrossing the Palestinian Museum landscape are a tour de force. Featuring plants from all across Palestine, their presence at the museum highlights a Palestinian identity rooted in the earth. Visitors, especially food-loving Palestinians, are delighted to find many of the plants which eventually find their way into the kitchen. Imagine you love hummus, do you know what chickpea plants look like? Suddenly you find yourself surrounded by a garden and the aroma of plants that provide for your favorite dish. The enthusiasm is contagious. The terraces are key to understanding the museum. Built across the levant, possibly predating biblical narratives in Palestine, the terrace typology climbs the hill and wraps abstractly through the building generating a distinctive, defining form.

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Western facing facade overlooking the terrace gardens | Hairy Thorn Broom, Calicotome villosa. Image © Andrew Mitchell

Views from the building are sited to face the Mediterranean Sea some 40km away as a reminder of Palestinian seafaring heritage. Although the sea is forcibly inaccessible, on a perfect day at sunset the light reflecting from the sea can be seen as the faintest of thin slivers. Wrapped in a limestone facade with a one-meter gap to mitigate heat radiation, the museum is the first LEED project in Palestine and achieved a Gold standard. Architect Roisin Henegan explained a concerted effort was made to design a building that would not be a burden to maintain. While performance metrics are still being run, the early returns are a building that is nearly entirely self-sustaining. The heaviest load on the museum is the responsibility of representing both Palestine’s past and future.

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Museum lobby by Henegan Peng | Landscape by Lara Zureikat. Image © Andrew Mitchell
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Museum lobby by Henegan Peng | Landscape by Lara Zureikat. Image © Andrew Mitchell

Public Spaces Development Programme - Tatarstan, Russia

A visit to Russia proves to be unrealistic at the moment and lives only as a dream. While the state of international affairs is tragic and distressing, it's worth pointing out that the projects in Tatarstan deserve to be celebrated despite charged politics, perhaps even more so considering the nature of the community design process responsible for the project's success. While the discussion of architecture within geopolitical conflict is a world unto itself, the lack of access draws attention to East-West tensions through which the award was founded in 1977. Educated at Harvard, his Highness the Aga Khan was aware of architecture discourse as a Western-centric exercise ignoring the excellence and value of contemporary work found in the Islamic world. Looking back at the award with renowned Pakistani architect Kamil Khan Mumtaz, a former Steering Committee member, he explains how the award has evolved over the years from a somewhat academic and self-identity exercise, to more community and social focus, and finally “graduating” to truly encompass architecture. Without a doubt, the award has been reshaping architectural discourse with impressive participation from the greatest designers of our time. Many of these voices were first heard internationally thanks to their recognition by the Aga Khan Award for Architecture.

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2022 Exhibit at King’s Cross, London, England for the Aga Khan Award for Architecture - Jury and Committee Participation. Image © Andrew Mitchell

Arcadia Education Project - South Kanarchor, Bangladesh

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On site of the Arcadia Education Project in August 2022 where flood waters have now receded. Image © Andrew Mitchell

Sadly the original Arcadia Education Project structure has been lost. The school was designed to float during monsoon season and rest on the ground at an approachable scale after the waters receded. Architect Saif Ul Haque explained, that the school was first closed due to the pandemic, as were so many, then the maintenance team fell tragically ill and the building was left to fend for itself during the lockdown. Despite surviving several years of monsoons the pandemic was an added stress and with no caretaker, floods along the Daleshwari river destroyed the school. Indicative of the project's success, plans are underway to reconstruct essentially the same building with some small monsoon-resistant improvements for the second iteration. While it would seem to be a failure for the elegant, valuable bamboo classrooms to succumb to flood waters, there is admirable poetry to construction that can serve its purpose so nobly, then disappear overnight.

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Fisherman by the school site in the Daleshwari River. Image © Andrew Mitchell

The diversity and range of work celebrated by the 2019 Aga Khan Award for Architecture were selected in an effort to send a message and centered around the idea of dialogue in architecture. Discussions with each of the architects across the world revealed a certain generosity: a willingness to drop everything and talk, and an enviable capacity to care for people. Interestingly, the 2020 pandemic brought an entirely unexpected voice and perspective to the works. Visiting the projects from afar proved impossible until this year and perhaps has limited the discussion each of the projects deserves. Only a few years ago these six projects were deemed among the best in the world: today what makes for the best architecture, and are the 2019 laureates still part of the discussion?

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Cite: Andrew Mitchell. "Visiting 2019 Aga Khan Award Laureates" 20 Sep 2022. ArchDaily. Accessed . <https://www.archdaily.com/989187/visiting-2019-aga-khan-award-laureates> ISSN 0719-8884

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